05 Apr

GGSF: Prep

A brief post about the importance of prepping and prototyping for a build, and a couple of things that came up in the prep for the Golden Gate STEM Fair event. First, there’s just the sheer volume of supplies for such an event. Here are lots of beads getting outfitted with twist ties, for example.

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05 Apr

Boxtahedral Trusses

Ok, all of the ingredients were in place to plan a large-scale construction for the Golden Gate STEM Fair: cubical units that can attach at edges and the theory linking them to the oct-tet lattice. I just needed to put it all together into a plan for something interesting and substantial that could be built out of lots of 6″ cubes (but not too many). Since height is a key factor in drawing attention, a nice round figure of 5 meters seemed like a good goal height for the structure. But what to build?

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07 Nov

Stretching the Point

So far, we’ve created a lot of interesting small models of tensegrity structures. However, for doing public programs of the sort Storm King Art Center was planning, it’s always helpful to be able to build much larger models of things. Building giant models seems to get the ideas across more vividly, engage visitors more thoroughly, and be just plain fun.

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07 Nov

Good In Tensions

So why the interest in tensegrity here at Studio Infinity? It begins with Kenneth Snelson, the inventor of tensegrity (although perhaps not of the term) as a student of Buckminster Fuller. Ken went on to become a noted sculptor, using tensegrity in many of his works. One of those sculptures, Free Ride Home, resides at Storm King Art Center. And recently, the education department at Storm King Art Center invited me to give a workshop there about tensegrity, how to make simple models of tensegrity, and how to share ideas about tensegrity with the public visiting the Center.

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