28 Oct

I’ve been the primary architect of a number of constructions of

So when I discovered that the Lakeshore Learning Ultimate Fort Builder construction toy allowed rods to be connected at all of the angles necessary to construct arbitrary portions of an octahedral-tetrahedral lattice, I knew that I had no choice but to eventually seek yet again to scale this tower of three-dimensional fractality.

The opportunity came in the fall of 2022, when my colleague Prof. Alissa Crans put me in touch with Profs. Derek Smith and Ethan Berkove, who were interested in holding a collaborative mathematical construction outside the math department’s building on the Lafayette College campus. After reviewing a number of proposals, they (to my delight) selected a Sierpinski tetrahedron constructed from the Fort Builder toy. They felt this structure would tie in to a number of classes being held that semester, including one on combinatorics — just how many rods and joints are there in that pyramid, anyway?

This post will be fleshed out as time permits, but for now suffice it to say that the construction — quickly dubbed Fort Sierpinski — came together very satisfyingly (more below).

The final structure came in at just a few inches shy of twenty feet tall, making it the largest Sierpinski tetrahedron I’ve been involved in yet, as well as the highest-order approximation: there are five generations of tetrahedra, from the smallest unit tetrahedra to the construction as a whole.

If you look closely, you will find just a few connections where the ability of the hub-rod sockets to take tension trying to pull them apart had to be augmented with a little strategically-placed tape (as hinted by the items on the table in the foreground). Other than this kind of patching (after all, kids do have to be able to take their creations apart by pulling out the rods, and this giant building is putting a lot of tension on certain junctions), the Fort Builder toy turned out to be quite up to this gargantuan task.

11 Oct

For this construction commissioned by the Dickinson College mathematics department, we chose a construction technique that goes all the way back to a construction from 2016, but this time with a twist. All previous installations done with this technique used only one length of rod, producing rigid equilateral polyhedra. But I had long wanted to construct a rhombic enneacontahedron, a shape that George Hart introduced me to with one of his artworks. Although that polyhedron is equilateral, consisting of 90 rhombi of two types, it is not rigid by Cauchy’s Theorem on polyhedra: each face is a quadrilateral, and so no face is by itself rigid. Hence, it’s necessary to brace the rhombic faces. Since there are two different face shapes, that means there are two additional rod lengths for the lengths of diagonals of those two different rhombi.

Further, the sponsors decided to proceed with a design in which the rods were colored to correspond to the ice caps, land masses, and oceans of our planet Earth, in honor of the world in which we live and a contemporaneous conference on climate change and other ecological issues.

This post will be fleshed out as time permits, but here’s a picture of the completed construction on site at Dickinson college (more below):

This photo is taken from a viewpoint over the southern tip of Mexico and the Central American land bridge to South America (since there are “only” 180 edges to this polyhedron, the representation of land masses is by necessity quite approximate). For comparison, here’s an image of the pre-build rendering of the Rhombiglobe from essentially the same viewpoint:

You may notice the actual construction has a decidedly “non-spherical” aspect on its left, in the midst of the Pacific Ocean. That phenomenon was perplexing in the midst of the build, but later analysis revealed that it was a direct side effect of there being nine different types of pieces: three colors of rod in three lengths each. One of the participants in the group construction inadvertently swapped one of the longer and one of the middle-sized blue rods in the neighborhood of the bulge. The result was that by dint of perseverance, we managed to construct a geometrically “impossible” polyhedron, which naturally adopted a non-spherical shape as it attempted to resolve all the extra stress that the incompatible edge lengths created.

07 Oct

I will be leading a group construction of a 3.4m diameter rhombic enneacontahedron next Tuesday, 2022 Oct 11, on the campus of Dickinson College. This is the first time that I will be leading a construction using this system — dubbed ZipStix at the NYC math museum — with rhombic faces rather than regular polygons. So to prepare, last weekend I built the prototype you see in the diagram at right. It has twelve faces (hence the post title) and uses both of the rhombus shapes that appear in the enneacontahedron, as well as a third rhombus that is almost, but not quite, a square. Here are the complete build instructions.

First, measure the lengths of all the dowels you need to cut. Here’s one of the 17 1/8″ dowels being measured (you can get two of these from opposite ends of one 3′ stock dowel), and below that, all of the 27 3/4″ dowels ready for cutting.

Next, cut the dowels to the marked lengths, and insert each end of each dowel into an end cap. Depending on the tolerances of the end caps and the dowels, you may be able to do this by pushing the caps on firmly by hand, or you may need to tap them on with a light hammer. In the latter case, you probably need to brace the caps against something to avoid breaking the tabs on the plastic caps. So place a right-angle bracket that is at least as wide as the tab is long on a flat work surface (so that the right angle is against the table), place a cap with a partially-inserted dowel so that the flat part of the cap at the end of the tab is against one arm of the bracket, and tap the other end of the dowel. To get the second cap on, first make sure that the two caps are roughly “lined up” so that their tabs are more or less in the same plane. Then, you will likely need to hold another bracket against the end cap at the other end of the dowel to have a surface you can tap on (watch your fingers!).

At left you can see all of the dowels cut, capped, and ready to go, together with the bag of cable ties we’re going to use. The assembly will proceed from vertex to vertex in the diagram above — you probably want to print out a copy to be able to refer back to it as you go through the construction process. The edges (dowels) in the diagram are color coded by length: The longest edges are orange, the six slightly-long ones are green, the 24 two-foot edges are blue, and the short edges are purple. So in the directions below, we will refer to the dowel lengths by the colors in the diagram (even though the dowels themselves are not colored). Also pay close attention to the letters labeling the vertices in the diagram. Note there are A through G and B’ through H’; the ones with “primes” on them are different from the ones without. During construction, the outside of the polyhedron will be lying on the floor as you build these vertices, so you’ll be standing and looking at them as if you were inside the polyhedron. Therefore the order that the edges are listed for a given vertex is the order that you would see them surrounding that vertex if you were standing inside the polyhedron looking outward at the vertex.

So start (step 1) by lacing a cable tie through the holes in the end caps at one end of dowels of the following lengths in order: green, blue, green, blue, green, blue. That creates vertex “A.” Feed the cable tie through its own end to secure it, and pull it some of the way through but do not pull it all the way tight yet — we will tighten up all of the vertices at the end of the construction. You should end up with something like the picture at the right. And now, it’s very important that you label the vertex you just made as vertex “A” (mark an “A” on a piece of tape and wrap it around one of the dowels at the vertex) because you will need to refer back to that vertex later in the construction.

Put vertex A aside for now, and construct the following vertices (each one separately) in the same way. Remember to label each vertex as you make it! (Step 2) Vertex B’ with orange, blue, green, blue, orange, blue. (3) Vertex D’ with orange, blue, purple, blue, green, blue. And (4) vertex E’ with orange, blue, green, blue, purple, blue. At left are pictures of these three vertices (not labeled yet, so we had to go back and figure out which was which and label them after the fact — spare yourself that chore).

Now for (step 5) find vertex A and vertex B’ and arrange them so that the free ends of one of the blue-length dowels of A and the blue-length dowel of B’ that is between the two orange-length ones are near each other. Thread a cable tie through these free ends, including one fresh blue-length dowel between those two and one more fresh blue-length dowel after the second one. Close up the cable tie and pull it partway closed like you did with the first four vertices. Immediately label the new vertex you just created “B”. Your outcome should look similar to the picture at right (see, we finally got our labels straight!).

Now by a similar process, you should (6) join the next blue from A clockwise to the blue from vertex D’ between its orange and purple, with two new blues as before, to create vertex D. (Label it!) That gives you the following: (Vertex D is the leftmost labeled one.)

And (7) join the remaining blue from A to the blue-length dowel from vertex E’ between its orange and purple, with two new blues, to create vertex E, like so:

Now if you look back near vertex B that you created in step 5, you should find that the following edges all have free ends near each other in this order: a purple-length one from D’, a blue from D, a green from A, a blue from B, and an orange from B’. So (step 8) lace a cable tie through all of these in order, adding one new blue so that it will end up between the orange and the purple. Close up the tie, pull it partway through, and label that vertex C. Here’s what you get:

Warning: the next step is the first one in which our partial construction will no longer be able to lie flat on the floor. (Step 9) lace up the purple-length dowel from E’, blue from E, green from A, blue from B, and the other orange from B’ with one new blue-length dowel to create vertex F. You should get something like the following, where the vertex on the floor in the middle is B created in step 5 and the new vertex is at the bottom of the picture:

Now we have four more steps, each with just the same format as the last two. So we will list the four steps, and then follow them all by a series of four pictures showing the results after each one. (10) Connect the orange from E’, the blue from E, the last green from A, the last blue from D, and the orange from D’ with one new blue to create vertex G. (11) Connect a blue from B, the last blue from C, and a blue from D’ with one new blue to create vertex C’. (12) Connect a blue from E’, the last blue from F, and the last blue from B’ with one new blue to create vertex F’. (13) Connect the last blues from E’, G, and D’ together with the last unused blue to create vertex G’.

#### The finale:

And now, you should have exactly 6 free ends — the ones that connect at vertex H. Bring them together and run a cable tie through them. VoilĂ , you finally have a complete, fully three-dimensional shape. However, it won’t look as crisp as the rendering just yet:

To get there, first check that your structure has the same general shape as shown. If not, back up and try to see where your connections don’t match the ones in the rendering at the top of the post and make any necessary corrections. Once it has taken on an overall shape roughly like a squashed ball, it’s time to tighten it up. Start by picking any vertex and pulling the cable tie there as tight as possible, working to get all of the tabs neatly arranged around the cable tie. Then go to the vertex farthest away from the one you just tightened, and pull that one as tight as possible, keeping the dowels linked to it as neatly arranged as possible as you do. Continue in this same fashion, always switching to the farthest-away vertex that you haven’t yet tightened up, until you have firmly secured every vertex.

At this point, the structure should have taken on a nice, crisp polyhedral form. You should easily be able to identify the 12 planar rhombic faces, each one split into two congruent isosceles triangles by a diagonal. Here it is in essentially the same orientation as in the initial rendering, but in real life:

And as a bonus, to get a better sense of the shape, here it is resting on one of its narrow rhombus faces (and with the vertex labels removed):

Happy zipping!